Byron Cai, Melody Chen
Museo di Porta Portese


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About
The museum typology of the 21st century has both something universal and something local. In Rome, a city that is deeply rooted in its historical armatures, the museum does not require the iconicness of the “Bilbao-effect”, rather it should address the contemporary values of public space and neoliberalism. The “Post-Bilbao” era of the museum relies predominately in temporality and flexibility to redefine the cultural institution into a new paradigm - one which emphasizes porosity and heterogeneity over a homogeneous museum-going experience.

The site, situated along the Tiber river in Porta Portese and defined by its historic buildings, has the predefined characteristic of a private villa. The project exploits its unique site to become a mediator between the city and the Tiber river. The linearity of the site is divided into bands along its short axis, where each band reacts to the museum-going experience and community-driven programs in a unique way. The museum, in this way, becomes a sequential topography where people walk through the space like a landscape. There are moments where the ground dips down towards the water, or moments that elevates one above the city.







Index